Chin Ting Chan | composer
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    • Large Ensemble >
      • Deform and Reform
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      • Dust Devil
      • Untitled
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      • Shadow Play
      • time, unfolding
      • Veiled Light
      • Apparitions - a fantasy for chamber ensemble
      • Fanfare for Brass and Percussion
      • Symphonic Movements
    • Chamber >
      • Invisible Canvas
      • flying ink, fainting light
      • Fracture
      • fuse V
      • fuse IV
      • fuse III
      • fuse II
      • fuse
      • In-pulse
      • Don't Look
      • Ictus
      • (dif)fused
      • Double Exposure
      • Flying Ink
      • Fractals
      • Double Waves
      • Drift
      • reaching up, touching down
      • Friction
      • Cross-strings
      • Thread
      • Axis
      • Mirage
      • re[sou]nding
      • Crosswind
      • Anemoi
      • ...and see it vanish
      • Icebergs
      • Moments
      • Haengma
      • Acoustic Field
      • Five Songs of the Von Seggerns
      • Saxophone Quartet
      • Elegy for Clarinet and Piano
      • Transfiguration
      • Caprice for String Quartet
      • Duo for Two Flutists
      • Trio for Violin, Clarinet and Marimba
      • Trio for Horn, Cello and Piano
      • Woodwind Quintet in C
      • String Quartet in A minor
    • Solo >
      • Ripple
      • Insight I
      • Flare
      • Postcards
      • Central
      • ...remembering Glenn
      • Cross-currents
      • Flurry
      • Shape of Wind
      • Shattered Wind
      • Five Etudes for Solo Piano
      • Suite for Solo Cello
      • Fantasy for Solo B-flat Clarinet
    • Electroacoustic >
      • Pulse
      • Refractions
      • Water Dust
      • Glitchdrops
      • Resonant Collision IV
      • Resonant Collision III
      • Resonant Collision II
      • Resonant Collision
      • 52 Blue
      • Mirror Sculpture
      • Shadow Objects
      • Stutter
      • Reel
      • Elements
      • Moment Studies
      • Static
      • Rituals
      • tempora mutantur
      • Whispers of Time
      • time, forward
      • Katachi IV
      • Stargaze
      • Katachi III
      • Katachi II
      • Katachi I
      • Awakening
      • Improvisations
      • Oceanus
      • Zone 23
      • Of Metals and Electrons
      • Three Episodes
  • Listen。聆聽
  • software。程式
    • mapping
    • matrixes
    • multiplication
    • pitch sets
    • set variants
  • Contact。聯絡

Praecepta Concert this Wednesday night at 8:00p.m!

11/16/2010

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I'm very excited about concert on Wednesday. I finally get to have my Saxophone Quartet (2009) performed!

#

I'm gonna take the GRE this Friday. It's frightening because I still haven't started studying yet! I'll need a lot of luck... As for my thesis, I don't get how I have 40 pages but only five minutes of music... is it time for a big repeat sign?! ||:   :||
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Another great concert!

10/11/2010

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Four of the five adventurists continued our journey today for another concert! We drove to University of Michigan, met up Andy Ly and other friends, and saw the Mariinsky Orchestra in the Hill Auditorium, with Valery Geriev conducting and Denis Matsuev on the piano. The Rachmaninoff 3rd piano concerto was amazing. The balance on the orchestra part was so well-controlled; the pianist was amazing. Somehow they arranged the brass to the right of the stage and basses lining up in the back, which is sort of weird... The Mahler 5th was emotionally intense; Maestro Geriev conducts without a baton and has some really interesting conducting gestures.

We then hung out at an Irish pub. I met Evan Chambers, and that was great! He plays in an irish band, isn't that cool?
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Fall break kick-off!

10/10/2010

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We five adventurists get up at 4:00 in the morning on this cold Saturday morning, headed off to the Cuyahoga Valley National Park near Cleveland! The morning was crudely cold. As usual, I brought my huge camera bag and my tripod. Photos will be updated to my Gallery soon. After hiking a few trails, we took the best nap lying on some blankets in a random shaded ground. Yes, I didn't sleep last night... It was a great trip, except that we missed the sunrise ---- not that I need to photograph that, because the moment of sunrise usually creates too much contrast; it's the even lighting situation that the sunrise creates that is interesting.

8:00p.m was a concert in Severance Hall, Cleveland with the Cleveland Orchestra, Semyon Bychkov conducting Brahms Symphony No. 3, Ravel's La Valse and Rachmaninoff's Rhapsody on a theme of Paganini with Kirill Gerstein. The conductor was amazing in that his gestures were so natural and convincing, and they reflected exactly how the sound was shaped. It almost felt like the gestures were over-rehearsed though... It sort of lacked spontaneity. The capability of he orchestra's technique and force were no doubt stunning. The performances were almost too perfect... the conductor did tend to over-phase, and this resulted in that the phrases were fragmented and shortened at times. Let me add that the pianist's performance was so clean that powerful. In short, I enjoyed every single moment in the Severance Hall tonight.
Picture
Cuyahoga Valley National Park
Picture
Picture
Severance Hall, Cleveland
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Musicians from SoundSCAPE

10/4/2010

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Went to the "Musicians from SoundSCAPE" concert in BGSU tonight. Tony Arnold and Aiyun Huang came, together with Dr. Rosenkranz, they presented an amazing program with all contemporary (aside from a Webern song cycle) works. During Tony Arnold's performance of Aperghis's Recitations for voice 2b, someone in the audience just started laughing... rather loudly. Everything was fine besides that, and it was mostly an enjoyable night of cool music.
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The night........ in silence

9/20/2010

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Went to Chicago's Millennium Park for Chicago Symphony Orchestra's free concert celebrating the grand beginning season of 2010-2011 with its new director Riccardo Muti! They played music of Verdi, Liszt, Tchaikovsky and more... was pretty good ---- except that we sat so far away...

#

So, I started seriously learning music when I was eighteen. I can't remember when exactly I started to be possessed with the idea that I couldn't live without music? I used to think I could.
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Schumann and Cadences

9/16/2010

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I often find Robert Schuman's music very interesting, but sometimes boring to listen to. He likes to write these little pieces that are very often, or can be very easily associated with narrative stories because of their episodic natures. The harmony is cool; the melody is charming; the rhythm is engaging ---- but oh my god! There are SO many cadences. I am talking about Kreisleriana op. 16... I heard a live performance of it tonight (and AGAIN). I remember ---- "This piece never ends" was the impression when I first heard it some years ago.

The above comments had absolutely nothing to do with the performance ---- I thought it was a great performance by Dr. Satterlee!
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Melos Second Post! (repost from www.melosmusic.com)

6/19/2009

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As I look back on this previous semester (my last semester) in San José State University, it was a rather intense one. I did not compose much music, but I “composed” a huge recital with 1 hour and 30 minutes worth of music. I think that it consisted all the “business” aspect of being a composer, which included looking for performers, printing and sending them music, constantly annoying them by e-mailing twice a day, setting up rehearsal times that had to match simultaneously up to five performers, remembering rehearsal times, be nice and not nice, keeping track on the progress of my pieces, printing posters, asking people to come (promoting), etc. These things all come down to a word – composing. Inevitably, they take that much more time than actually writing notes; so, I realize we composers rarely have time to write notes. My only advices for those of you who are doing a recital is that make sure you start early or even start rehearsing before a piece is finished! We composers or performers never have enough time, and in reality, we get even less time than expected. I think it is such a giving while we are all in college and can ask performers to do us “favors.”

After being very busy with graduation, taking my mum, sister (they came from Hong Kong for two weeks) and girlfriend to many places, I could finally find some time for myself. I have decided to compose, not with musical notes though, but with my camera. In August, I will start pursuing my master degree in composition at Bowling Green State University, and meanwhile, teach in either ear training or music theory.

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    Patrick Chan

    Welcome! Please feel free to leave some comments. Also, check out the music page and many full audio samples!

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    @ IRCAM ManiFeste 2013

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  • Home。主頁
  • About。簡介
  • Music。音樂
    • Large Ensemble >
      • Deform and Reform
      • Qing Ming
      • Dust Devil
      • Untitled
      • Falling Stars
      • Shadow Play
      • time, unfolding
      • Veiled Light
      • Apparitions - a fantasy for chamber ensemble
      • Fanfare for Brass and Percussion
      • Symphonic Movements
    • Chamber >
      • Invisible Canvas
      • flying ink, fainting light
      • Fracture
      • fuse V
      • fuse IV
      • fuse III
      • fuse II
      • fuse
      • In-pulse
      • Don't Look
      • Ictus
      • (dif)fused
      • Double Exposure
      • Flying Ink
      • Fractals
      • Double Waves
      • Drift
      • reaching up, touching down
      • Friction
      • Cross-strings
      • Thread
      • Axis
      • Mirage
      • re[sou]nding
      • Crosswind
      • Anemoi
      • ...and see it vanish
      • Icebergs
      • Moments
      • Haengma
      • Acoustic Field
      • Five Songs of the Von Seggerns
      • Saxophone Quartet
      • Elegy for Clarinet and Piano
      • Transfiguration
      • Caprice for String Quartet
      • Duo for Two Flutists
      • Trio for Violin, Clarinet and Marimba
      • Trio for Horn, Cello and Piano
      • Woodwind Quintet in C
      • String Quartet in A minor
    • Solo >
      • Ripple
      • Insight I
      • Flare
      • Postcards
      • Central
      • ...remembering Glenn
      • Cross-currents
      • Flurry
      • Shape of Wind
      • Shattered Wind
      • Five Etudes for Solo Piano
      • Suite for Solo Cello
      • Fantasy for Solo B-flat Clarinet
    • Electroacoustic >
      • Pulse
      • Refractions
      • Water Dust
      • Glitchdrops
      • Resonant Collision IV
      • Resonant Collision III
      • Resonant Collision II
      • Resonant Collision
      • 52 Blue
      • Mirror Sculpture
      • Shadow Objects
      • Stutter
      • Reel
      • Elements
      • Moment Studies
      • Static
      • Rituals
      • tempora mutantur
      • Whispers of Time
      • time, forward
      • Katachi IV
      • Stargaze
      • Katachi III
      • Katachi II
      • Katachi I
      • Awakening
      • Improvisations
      • Oceanus
      • Zone 23
      • Of Metals and Electrons
      • Three Episodes
  • Listen。聆聽
  • software。程式
    • mapping
    • matrixes
    • multiplication
    • pitch sets
    • set variants
  • Contact。聯絡