Chin Ting Chan | composer
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re[sou]nding for marimba and piano (2013)


re[sou]nding is energetic and rhythmically charged. The word “resounding” means producing a resonant sound that has a long decay, which can be illustrated by the dissonant piano chords prolonged with repeated notes on the marimba, or with fast-running marimba passages filled with resonating piano interior sounds. The piece also features a wide range on both instruments. It explores the extremities of the instruments’ decay property and blending synergy.
 
Taken out the letters “sou” from “resounding”, the word “rending” means tearing apart. This refers particularly to the middle section, with the collective pitches from the outer sections torn apart here in different ways, and subsequently reassembled to form contrasting harmonies and textures. The piece ends with additional repeated notes on the piano to create a reminiscence or echo effect of the similar sonority from the first section.
Picture
(07/25/2021)
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  • Home。主頁
  • About。簡介
  • Music。音樂
    • Large Ensemble >
      • Deform and Reform
      • Qing Ming
      • Dust Devil
      • Untitled
      • Falling Stars
      • Shadow Play
      • time, unfolding
      • Veiled Light
      • Apparitions - a fantasy for chamber ensemble
      • Fanfare for Brass and Percussion
      • Symphonic Movements
    • Chamber >
      • Invisible Canvas
      • flying ink, fainting light
      • Fracture
      • fuse V
      • fuse IV
      • fuse III
      • fuse II
      • fuse
      • In-pulse
      • Don't Look
      • Ictus
      • (dif)fused
      • Double Exposure
      • Flying Ink
      • Fractals
      • Double Waves
      • Drift
      • reaching up, touching down
      • Friction
      • Cross-strings
      • Thread
      • Axis
      • Mirage
      • re[sou]nding
      • Crosswind
      • Anemoi
      • ...and see it vanish
      • Icebergs
      • Moments
      • Haengma
      • Acoustic Field
      • Five Songs of the Von Seggerns
      • Saxophone Quartet
      • Elegy for Clarinet and Piano
      • Transfiguration
      • Caprice for String Quartet
      • Duo for Two Flutists
      • Trio for Violin, Clarinet and Marimba
      • Trio for Horn, Cello and Piano
      • Woodwind Quintet in C
      • String Quartet in A minor
    • Solo >
      • Ripple
      • Insight I
      • Flare
      • Postcards
      • Central
      • ...remembering Glenn
      • Cross-currents
      • Flurry
      • Shape of Wind
      • Shattered Wind
      • Five Etudes for Solo Piano
      • Suite for Solo Cello
      • Fantasy for Solo B-flat Clarinet
    • Electroacoustic >
      • Pulse
      • Refractions
      • Water Dust
      • Glitchdrops
      • Resonant Collision IV
      • Resonant Collision III
      • Resonant Collision II
      • Resonant Collision
      • 52 Blue
      • Mirror Sculpture
      • Shadow Objects
      • Stutter
      • Reel
      • Elements
      • Moment Studies
      • Static
      • Rituals
      • tempora mutantur
      • Whispers of Time
      • time, forward
      • Katachi IV
      • Stargaze
      • Katachi III
      • Katachi II
      • Katachi I
      • Awakening
      • Improvisations
      • Oceanus
      • Zone 23
      • Of Metals and Electrons
      • Three Episodes
  • Listen。聆聽
  • software。程式
    • mapping
    • matrixes
    • multiplication
    • pitch sets
    • set variants
  • Contact。聯絡