Chin Ting Chan | composer
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Trio for Horn, Cello and Piano (2007)


The conventional instrumentation for a horn trio is with a violin and a piano. Among the great composers who wrote with this instrumentation were Johannes Brahms, and, close to a hundred years later, György Ligeti. Evidently, there were not many attempts on this combination throughout the history. The primary reason for this, I believe, is that the horn and the violin really do not blend together quite well. The cello, however, has a fuller sound that is capable of embracing the horn’s sound as opposed to a violin, which often sticks out in this combination.

Commissioned by hornist Micheal Walker, the Trio for Horn, Cello and Piano is my attempt to create a new trio combination. Throughout the piece, you will hear a primary melodic motive, which is introduced by the piano at first, passing on to the other two instruments. Occasionally, the motive is hidden, overlapped (stretto), transposed, augmented or even inverted. The slow section is a reminiscence of Claude Debussy’s “The Sunken Cathedral.” After a dissonant “call” from the piano and the cello, the piece is interrupted by a violent third theme. The themes come back several times and are altered every time. If there is a form to this piece, it is “continuous development.”

The attempt to incorporate the primary melodic motive into three different sections of the piece is my major task for this piece.
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  • Home。主頁
  • About。簡介
  • Music。音樂
    • Large Ensemble >
      • Deform and Reform
      • Qing Ming
      • Dust Devil
      • Untitled
      • Falling Stars
      • Shadow Play
      • time, unfolding
      • Veiled Light
      • Apparitions - a fantasy for chamber ensemble
      • Fanfare for Brass and Percussion
      • Symphonic Movements
    • Chamber >
      • Invisible Canvas
      • flying ink, fainting light
      • Fracture
      • fuse V
      • fuse IV
      • fuse III
      • fuse II
      • fuse
      • In-pulse
      • Don't Look
      • Ictus
      • (dif)fused
      • Double Exposure
      • Flying Ink
      • Fractals
      • Double Waves
      • Drift
      • reaching up, touching down
      • Friction
      • Cross-strings
      • Thread
      • Axis
      • Mirage
      • re[sou]nding
      • Crosswind
      • Anemoi
      • ...and see it vanish
      • Icebergs
      • Moments
      • Haengma
      • Acoustic Field
      • Five Songs of the Von Seggerns
      • Saxophone Quartet
      • Elegy for Clarinet and Piano
      • Transfiguration
      • Caprice for String Quartet
      • Duo for Two Flutists
      • Trio for Violin, Clarinet and Marimba
      • Trio for Horn, Cello and Piano
      • Woodwind Quintet in C
      • String Quartet in A minor
    • Solo >
      • Ripple
      • Insight I
      • Flare
      • Postcards
      • Central
      • ...remembering Glenn
      • Cross-currents
      • Flurry
      • Shape of Wind
      • Shattered Wind
      • Five Etudes for Solo Piano
      • Suite for Solo Cello
      • Fantasy for Solo B-flat Clarinet
    • Electroacoustic >
      • Water Dust
      • Glitchdrops
      • Resonant Collision IV
      • Resonant Collision III
      • Resonant Collision II
      • Resonant Collision
      • 52 Blue
      • Mirror Sculpture
      • Shadow Objects
      • Stutter
      • Reel
      • Elements
      • Moment Studies
      • Static
      • Rituals
      • tempora mutantur
      • Whispers of Time
      • time, forward
      • Katachi IV
      • Stargaze
      • Katachi III
      • Katachi II
      • Katachi I
      • Awakening
      • Improvisations
      • Oceanus
      • Zone 23
      • Of Metals and Electrons
      • Three Episodes
  • Listen。聆聽
  • software。程式
    • mapping
    • matrixes
    • multiplication
    • pitch sets
    • set variants
  • Contact。聯絡