I think my composition style is constantly evolving. Since the composition of my Apparitions - a fantasy for chamber ensemble (2010-11), I have found a new style to work with. I personally see my Five Songs of the Von Seggerns (2010) as a sum of my early style, which is always harmonically exact, rhythmically defined and structurally strict. This set of songs also serves as a bridge to my more current style, which pays less attention to exactness and allows more aleatoric chance operations; pays more attention to instrumental timbre/color, building up of texture, achieving intensity through density of pitches, emphasizing on different sound properties and acoustic in general. This is fascinating--I can't wait to hear what I will come up with in the future!
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After deciding to attend UMKC instead of the other school, I am so released now. I feel so much more settled down. Today was the premiere of my thesis - Apparitions - a fantasy for chamber ensemble (2010-11). It went very well--I now have a good recording thanks for Conrad Chu (conductor) and the fabulous players from BG. This piece is so different from my earlier compositions.
And, right now I have been looking to acquire a car so that I can travel to my new school. April is a very unsure month. I need to make my final decision on what school I will attend for my doctorate, which will directly affect my travel plans in the summer, and whether or not I should go to the soundSCAPE Summer Festival in Italy. This is a really difficult time for me... hopefully everything will clear up soon.
Sometimes, I think maybe I'm too tired for more schooling... |
Patrick Chan
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