Chin Ting Chan | composer
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Listening

5/31/2010

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I can talk about these topics forever... anyways, many people want to hear beautiful music. Does art have to express only beauty? People can easily accept avant-garde paintings, movies, novels, but why not music. Let's see what W. H. Auden had to say:

"The ear tends to be lazy, craves the familiar and is shocked by the unexpected; the eye, on the other hand, tends to be impatient, craves the novel and is bored by repetition. Thus, average listener prefers concerts confined to works by old masters and it is only the highbrow who is willing to listen to new works, but the average reader wants the latest book and it is the classics of the past which are left to the highbrow."                     ----- W. H. Auden

It's the laziness. How often do you really listen to a piece of music? Really, I think commercial music has corrupted our sense of listening. Nowadays music lacks harmonic content, dynamic (due to the invention of the compressor, which shall go into my future blog post about mixing/mastering...), rhythmic variety, timbre/color, etc... Many people look for only a nice and loud melody so that they can sing along, and call it expression... When they listen to a Mahler symphony, get overwhelmed, and thus they shut off their ears. Remember, art is about expression and communication...

Everyone in this world with a pair of ears can understand classical music.
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    Patrick Chan

    Welcome! Please feel free to leave some comments. Also, check out the music page and many full audio samples!

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    @ IRCAM ManiFeste 2013

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  • Home。主頁
  • About。簡介
  • Music。音樂
    • Large Ensemble >
      • Deform and Reform
      • Qing Ming
      • Dust Devil
      • Untitled
      • Falling Stars
      • Shadow Play
      • time, unfolding
      • Veiled Light
      • Apparitions - a fantasy for chamber ensemble
      • Fanfare for Brass and Percussion
      • Symphonic Movements
    • Chamber >
      • Invisible Canvas
      • flying ink, fainting light
      • Fracture
      • fuse V
      • fuse IV
      • fuse III
      • fuse II
      • fuse
      • In-pulse
      • Don't Look
      • Ictus
      • (dif)fused
      • Double Exposure
      • Flying Ink
      • Fractals
      • Double Waves
      • Drift
      • reaching up, touching down
      • Friction
      • Cross-strings
      • Thread
      • Axis
      • Mirage
      • re[sou]nding
      • Crosswind
      • Anemoi
      • ...and see it vanish
      • Icebergs
      • Moments
      • Haengma
      • Acoustic Field
      • Five Songs of the Von Seggerns
      • Saxophone Quartet
      • Elegy for Clarinet and Piano
      • Transfiguration
      • Caprice for String Quartet
      • Duo for Two Flutists
      • Trio for Violin, Clarinet and Marimba
      • Trio for Horn, Cello and Piano
      • Woodwind Quintet in C
      • String Quartet in A minor
    • Solo >
      • Ripple
      • Insight I
      • Flare
      • Postcards
      • Central
      • ...remembering Glenn
      • Cross-currents
      • Flurry
      • Shape of Wind
      • Shattered Wind
      • Five Etudes for Solo Piano
      • Suite for Solo Cello
      • Fantasy for Solo B-flat Clarinet
    • Electroacoustic >
      • Water Dust
      • Glitchdrops
      • Resonant Collision IV
      • Resonant Collision III
      • Resonant Collision II
      • Resonant Collision
      • 52 Blue
      • Mirror Sculpture
      • Shadow Objects
      • Stutter
      • Reel
      • Elements
      • Moment Studies
      • Static
      • Rituals
      • tempora mutantur
      • Whispers of Time
      • time, forward
      • Katachi IV
      • Stargaze
      • Katachi III
      • Katachi II
      • Katachi I
      • Awakening
      • Improvisations
      • Oceanus
      • Zone 23
      • Of Metals and Electrons
      • Three Episodes
  • Listen。聆聽
  • software。程式
    • mapping
    • matrixes
    • multiplication
    • pitch sets
    • set variants
  • Contact。聯絡