Chin Ting Chan | composer
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Melos First Post! (repost from www.melosmusic.com)

1/15/2009

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First, thank you for your interest in Melos! In here, you shall find updates of our thoughts as well as musical and compositional developments. Since this is my first blog posting, I should start off introducing myself. I was born in Guangzhou and raised in Hong Kong. I did not begin studying music young. When I was twelve, I picked up the violin quite reluctantly, and started to participate in the school orchestra. Remembering all these crazy fingerings, never understanding the conductor, following the guys sitting in front of me, was harder than anything in this world. (Sorry, I had no idea…) So, what do you expect a twelve-year-old will do?

Like every others of my generation, I listened to pop music with my then expensive mp3 player while I was on a bus, out studying, eating lunch, etc. I thought it was even wonderful to have some soft “classical music” in the “background!!!” while I was doing something else. As I grew up, I slowly realized there is something in music that needs my attention. I started to play piano madly and passed the ABRSM grade 8th exam in less than two years. I never thought it was an achievement; (my mum did…) instead, this determination of my mind marked the beginning of my musical career. (I shall write an article about piano examinations in the future…)

Now, when people ask me to write tons of pop songs and become famous and rich and whatever, (now is the time of the year when I get these questions because I am currently on vacation in Hong Kong seeing friends and relatives) I often don’t know what to say! The easier understandable answer for most non-musicians is that I compose “classical music.” Well… let me get it right. I compose music that needs attention – music that needs to be listened to. (I am not saying that pop music does not needs attention) I do not want my music to be played in a restaurant while people are enjoying their meals; I do not want people to treat my music as soft background music, like the twelve-year-old ME!

Studying music is the best choice I have ever made in my life. I have thus opened my ears to a then unknown world of sound, and also enriched for the first time of my life, my sensitivity of hearing. Finally, it is not hard to understand and appreciate “classical music,” all it takes is your attention. Like all art, music is about communication. It is hard to speak to your hearts if you never respond. Let us open our ears, and I am sure all five of us have a lot to speak to you.

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    Patrick Chan

    Welcome! Please feel free to leave some comments. Also, check out the music page and many full audio samples!

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    @ IRCAM ManiFeste 2013

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  • Home。主頁
  • About。簡介
  • Music。音樂
    • Large Ensemble >
      • Deform and Reform
      • Qing Ming
      • Dust Devil
      • Untitled
      • Falling Stars
      • Shadow Play
      • time, unfolding
      • Veiled Light
      • Apparitions - a fantasy for chamber ensemble
      • Fanfare for Brass and Percussion
      • Symphonic Movements
    • Chamber >
      • flying ink, fainting light
      • Fracture
      • fuse V
      • fuse IV
      • fuse III
      • fuse II
      • fuse
      • In-pulse
      • Don't Look
      • Ictus
      • (dif)fused
      • Double Exposure
      • Flying Ink
      • Fractals
      • Double Waves
      • Drift
      • reaching up, touching down
      • Friction
      • Cross-strings
      • Thread
      • Axis
      • Mirage
      • re[sou]nding
      • Crosswind
      • Anemoi
      • ...and see it vanish
      • Icebergs
      • Moments
      • Haengma
      • Acoustic Field
      • Five Songs of the Von Seggerns
      • Saxophone Quartet
      • Elegy for Clarinet and Piano
      • Transfiguration
      • Caprice for String Quartet
      • Duo for Two Flutists
      • Trio for Violin, Clarinet and Marimba
      • Trio for Horn, Cello and Piano
      • Woodwind Quintet in C
      • String Quartet in A minor
    • Solo >
      • Ripple
      • Insight I
      • Flare
      • Postcards
      • Central
      • ...remembering Glenn
      • Cross-currents
      • Flurry
      • Shape of Wind
      • Shattered Wind
      • Five Etudes for Solo Piano
      • Suite for Solo Cello
      • Fantasy for Solo B-flat Clarinet
    • Electroacoustic >
      • 52 Blue
      • Mirror Sculpture
      • Shadow Objects
      • Stutter
      • Reel
      • Elements
      • Moment Studies
      • Static
      • Rituals
      • tempora mutantur
      • Whispers of Time
      • time, forward
      • Katachi IV
      • Stargaze
      • Katachi III
      • Katachi II
      • Katachi I
      • Awakening
      • Improvisations
      • Oceanus
      • Zone 23
      • Of Metals and Electrons
      • Three Episodes
  • Listen。聆聽
  • software。程式
    • mapping
    • matrixes
    • multiplication
    • pitch sets
    • set variants
  • Gallery。畫廊
    • NYC, Staten Island, Coney Island
    • Boston, Portland, Acadia
    • The Streets of Valencia
    • The Streets of Paris and the Palace of Versailles
    • The Smokies 2014
    • West Coast Summer 2013 Road Trip
    • Grand Canyon National Park
    • Cuyahoga Valley National Park
    • The Smokies
    • Guilin (桂林), Yuangshuo (陽朔)
    • Zhangjiajie (張家界), Phoenix City (鳳凰古城)
    • Old Pictures
  • Contact。聯絡